For my third event, I decided to
attend Jeanine Oleson’s art exhibition called Conduct Matters at the Hammer
Museum. I found that this exhibit was a
premier example of the usage of contemporary art inspiration with the field of
science. From my perspective, it seemed
that the inspiration for this piece was in the production and economic aspects
of the formation of copper, as well as how these processes affect people as consumers
in our society. I feel that she was
juxtaposing our need for commodities such as copper with our extreme lack of
knowledge regarding where these commodities come from and the effort and
resources it takes to produce them. This
parallels with the lack of connection that we, as a society, feel with our
bodies and with art in general. All of
these factors created an extraordinarily unique art exhibition, that left me
partially confused and mostly intrigued on how Oleson came up with such a
complex and far reaching idea.
This exhibition included a short
film that was projected on three different screens on the wall. There was a
quilted blanket in the center of the room as the focal point. Finally, there
was a screen on the wall that was melded with glass to a copper wire that ran through
the wall and was connected to a bell shaped, clay configuration. The screen was playing a video that showed
the production of copper, and some other programming scenes that I was not sure
what it was. The actors in this video
were the same actors in the film playing on the walls. I feel the smaller screen was supposed to
convey what physical labor is needed to create copper wires, while the larger
screen was a more satirical performance of the melding of song, dance, and
acting with the use of this copper wire.
Towards the end of the film, there was a part where one of the
characters was looking through a glass, similar to the one covering the screen
in the room, and she claimed that she was “searching for the art within her own
body.” The other three actors, I assume,
represented the art she was searching for, and the irony was that they were
right in front of her and she still couldn’t see them.
I think this is the part of the exhibit that struck me the most,
because it relates to the idea that we are so focused on the literal, and scientific
sense of things in our culture, that we miss the beauty of art that sometimes is
right in front of us. We are numb to the
beautiful things that surround us every day because we cannot see past the
things we are convinced that we need (aka the copper wire). I may be completely off topic, but that is
what I gathered from this exhibit, and I found that it was very relatable to
the topics we have covered throughout this course. I also feel that other students who may have
attended this event could have had an entirely different experience, and I think
this is part of what is so wonderful about art.
There is no right or wrong answer, and the ability to interpret it in
your own specific way is one of the most important things I think I have
learned throughout this class. I definitely
recommend paying a visit Jeanine Oleson’s exhibit before it closes, because it
really encompasses the topics we learned about in this class.
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